GSUS KL

Cleffertune Christmas Promotion

2011-12-07T22:37:00.000-08:00

Are you carol-ling, holding cell groups or Christmas parties this month? Get your copy of Cleffertune today and enjoy Christmas season discounts! Have a listen to the MP3 clips below :

Please click on the titles below for preview.

Christmas Songs Titles

Angels We Have Heard On High

Away In A Manger

Christmas Isn't Christmas

God Rest Ye Merry Gentlement

Hark The Herald Angels Sing

It came Upon The Midnight Clear

Joy To The World

Long Time Ago In Bethlehem

O come All Ye Faithful

O Come O Come Emmanuel

O Holy Night

O Little Town Of Bethlehem

Silent Night

The First Noel

What Child Is This

We Wish You A Merry Christmas

CHRISTMAS PROMOTION (DECEMBER ONLY): 25 Songs Starter Pack RM399
50 songs Starter Pack with FREE 8 carols RM529
100 songs Starter Pack with FREE 16 carols RM709

For further enquiries, please contact Timothy at 012-2976081.
or email us at cleffertune@gsus.biz

Please "like" us at Facebook

Cleffertune Preview

2011-10-28T20:09:00.000-07:00

For preview of the usage of Cleffertune product, please click Cleffertune .

Cleffertune Feedback from Users

2011-10-28T20:07:00.000-07:00

Here is a feedback from one of our user:

Praise & worship took on a different dimension when we introduced Cleffertune at our home cell meeting last night. We encourage all small groups desirous of enhancing their level of worship to invest in this ready made package. God deserves our highest praise and takes great delight in our praises. Let our God be glorified mightily in the assembly of His people. Amen!

By Kee Lan

Official Pricing for CLEFFERTUNE in Malaysia

2011-09-04T23:50:00.000-07:00

SOFTWARE

CLEFFERTUNE SOFTWARE RM299/PC

SONGS

20SONGS – RM100/PC
50 SONGS – RM230/PC
100 SONGS – RM410/PC

INSTALLATION & TRAINING

Software Installation/Basic Training RM80/PC

GSUS CLEFFERTUNE Music Training RM150/PAX

ACCESSORIES

5m Audio Cable with Amphenol Connectors RM80
5m VGA/Video Cable RM70
VGA to Video Converter for TV RM200

For purchase or enquiries: 012-2976081

For more info on the software, please click CLEFFERTUNE MALAYSIA

What Our Clients Say? (Recording)

2011-06-09T19:37:00.000-07:00

Hey, the album 'anbin aradhanai' is really awesome. I've never liked a christian album this much. Thanks, keep on doing some more of this...

Kesavan

Rental for Well-Equipped Sound System, Ampang

2011-05-21T23:27:00.000-07:00

International Youth Centre

On May 15,GSUS company had provided sound system rental services for a Church Family Day function at International Youth Centre Cheras. The system catered estimation of 700 pax. Music instruments amplifiers and drumset were also supplied for the 2 separate events; one for Chinese speaking crowd, the other English speaking.

GSUS offers rental services including musical instruments, sound systems, and audio-visual projection at a reasonable price. These cater to all sizes and capacities of the hall. The systems we provide will suit according to the venue of the function. Eg: Indoor stadium or open field

Professional Music Arranging, Production and Songwriting

2011-05-01T02:15:00.001-07:00

Gsus Music and Recording Division is currently busy producing,music arranging and songwriting for a Corporate Company's Theme Song.

COLOURED MICROPHONE CABLES, AESTHETIC versus FUNCTIONALITY ?

2011-04-28T02:14:00.000-07:00

In my 15 years of sound & music business in Malaysia, almost all my clients prefer black microphone cables. This is because it is easy to match the decor of their hall. It is also another way of saying, regardless of the colour theme of the interior designer, black will fit! Of course there are those who want all uniform red to match the curtains, but that is a rare case. Last week, a client asked me for multi bright coloured orange, purple and yellow microphone cables. His reason was easy identification from afar. As a sound engineer, I was beaming with a smile. How many times have the sound men been compromised because of aesthetics? Sure multi coloured microphone cables could look childish, but it sure is easy to spot from 30 metres, even for an elderly chap. Aesthetic versus functionality seems to go against one another, even in large auditoriums. A famous exhibit hall in KL has the speakers covered by wood structures because the interior designer didn't like the look of the speakers. Needless to say, that hall is shunned for sound. Hmm....

Testimony of a Former Spy and Eldest Son of Hamas founder

2010-10-07T16:58:00.000-07:00

GSUS note: An interesting article about the power of Christ.

Mosab Yousef, a former terrorist and the son of a Hamas founder appeared on The 700 Club to share about his experiences about becoming a Christian. He studied many religions prior to his choice. He also talks about how Christianity helps him love his enemies: to deal with bad memories, to win over enemies through love, and not to dictate over them. "This is how Christ defeated the world, when he loved in the most difficult and painful position on the Cross." http://downloads.cbn.com/cbnnewsplayer/cbnplayer.swf?aid=14417

Mosab is the first-born son of one of the founders of Hamas, Sheik Hassan Yousef. Mosab left Islam and secretly worked with Israeli intelligence to capture terrorists on the condition that they be imprisoned and not killed. He prevented suicide bombings and other attacks, and has recently been granted political asylum in the US in June 2010.

For full article click here

Make Me Strong - Aris Siew

2010-08-30T21:39:00.001-07:00

Released in 2010, Make Me Strong is Aris Siew's 3rd album. The album consists of 10 inspiring songs written by himself and other local distinguished talents. The songs were birthed during Aris Siew's intimate devotion in God's presence. They are ideal blessing when used in worship, devotion, prayer and maneuvering in KL traffic!

The title track 'Make Me Strong' is backed by an Afro Asian choir and drums played by leading gospel drummer and a member of Drummer For Christ: Lim Kok Yen. The ever popular song 'Everytime I Pray' is accompanied by nylon and steel string guitars, an African choir and orchestral arrangement. It starts off as an intimate prayer song and ends on a high majestic note that is befitting of El Shaddai! 'Everytime I Pray' is written by Ng Wah Lok and Voon Yuen Wah. For those who like vocalizing positive statements, there is a rap ballad in 'In Christ Is Hid'. This album will inspire you to inner peace, strength and purpose in God. Vincent Chin's melodious saxophone can be heard in 'Leaning On You'.

All songs are arranged and produced by Timothy Lee and recorded at Studio 2105. Mixing was done by JD. Mastering was done in US by mastering engineer Bob Olhsson. David Gary (of Altered Frequency) arranged for 'The Spirit' and 'Most Of All'. His arrangements are modern and refreshing to the album. James Yee (Chenaniah Studios) arranged and produced 'I Need You', a song written by Lourdes Dass.

Joshua Tong, plays acoustic and electric guitar for ' In Christ', 'Leaning on You', 'Every Time I Pray', 'Wherever', 'Make Me Strong' and also 'Life of Purpose'. Benjamin Manuel plays bass on the title track, 'Leaning on You ' and 'Life of Purpose'. He uses a Yamaha TRB John Patitucci 6 string bass guitar.

This album is also proud to have experienced background vocalist Alan Tan. Alan was involved in the Harvest of The Field 2004 album which won a category in the Australian Gospel Award. There are also young and inspiring singers like Deborah Ayeni, George Igoni and Gimras Wrigal.

This album is available at all leading Christian bookstores in Malaysia!

For a limited time only, GSUS is offering the album for RM25 (normal price RM30)

Click here to place an order.

Remember to include your mobile and email information to enjoy this offer

CREDITS

Executive Producer : Aris Siew
Producer: Timothy Lee
Main Composer: Aris Siew
Other Songs : Ng Wah Lok & Voon Yuen Woh – ‘Everytime I Pray’
Lourdes Dass – ‘I Need You’
Main Music Arranger : Timothy Lee
Other Arrangers David Gary - Most of All, The Spirit
James Yee - I Need You
Back Up Vocal arrangement: Timothy Lee except ‘I Need You’ by Deborah & Carmen Yee Musicians Benjamin Manuel - Bass – (Make Me Strong, Leaning on You, Life of Purpose)
James Yee - Rock guitar - (I Need You)
Joshua Tong - Acoustic and Electric Guitar - (In Christ, Leaning on You, Everytime I Pray, Wherever, Make Me Strong, Life of Purpose)
Lim Kok Yen – Drums - (Make Me Strong)
Vincent Chin- Saxaphone – (Leaning on You)
Back Up Vocals Alan Tan, Deborah Ayeni , George Edward Igoni, Gimras Wrigal, Michael Lean
‘I Need You’ by Deborah Yee and Carmen Yee
African Choir (Make Me Strong; Everytime I Pray)
Banembo Okoromah, Caroline Gundumura, Deborah Ayeni , George Edward Igoni
Gloria Oyambu, Isobo Fortune, Jim Abigo, Joseph Olayemi, Justina Abigo,
Laura Nherere, Maudline Imegi, Nora Christopher
Photographer : William Lim
Cover Design : Aris Siew
Floral abstract designs: Chita at Photoxpress
Mixed by Jedi Wong
All songs recorded at Twenty One O Five Productions Except ‘I NEED YOU” recorded at Chenaniah Studio Make Me Strong Album released in April 2010 All rights reserved. Unauthorized reproduction/duplication is prohibited by law.
For Ministry Booking: arissiew@yahoo.com
Worship articles by Aris Siew: http://worship-today.blogspot.com/

Below are the lyrics of the songs of the album.

Make Me Strong
music n lyrics by Aris Siew

Chorus
Make me strong
When the night stretches long
Take me high
When my soul starts to tire
When the weakness in me
Makes me stumble and fall
Make me strong
Make me strong
Make me strong

Verse
Your love is all I need
Your grace is sufficient for me
In your mercy, Your power will be seen
Your peace will guard my heart
Your touch will cast out all fears
And Your presence shields and comfort me

Chorus
Make me strong
When the night stretches long
Take me high
When my soul starts to tire
When the weakness in me
Makes me stumble and fall
Make me strong
Make me strong
Make me strong

Make me strong
When my plans all go wrong
Take me high dry the tears from my eyes
Give my heart strength and courage
To face any storm
Make me strong
Make me strong
Make me strong

Make me Strong X8

Most of All
music n lyrics by Aris Siew

I wanna be like David
Seeking your heart
I wanna be like Moses
Show me your glory
I wanna be like Daniel
Unafraid of the danger
But most of all Lord
Most of all Lord
Most of all
I wanna be like You.

One life one aim )
To live for your fame ) X4

I wanna be like Joseph
Pure in his heart
I wanna be like Joshua
Mighty and strong
I wanna be like Abraham
The father of true faith
But most of all Lord
Most of all Lord
Most of all
I wanna be like You X4

One life one aim )
I live for Your fame ) X4

In everyway, O everyday
I wanna be more like You

One life one aim )
I live for Your fame ) X4
I wanna be like You X4

Life of Purpose
music n lyrics by Aris Siew

Pressures come, Pressures go
Life gets on, Ebb and flow
Ups and downs, Round and round
Its so crazy, no slowing down

Then one day the light shone on me
The darkness defeated and flees
He rescued my soul, Grace overflowed
The chains broke and I’ve been released

Chorus:
Now I live a life of purpose on this earth
I live my life for Jesus, I put him first
I know who I am
I know what I’m called for
To live my life for Jesus till the end
I live my life for Jesus till the end.

Shadows come, shadows go
Things get hard, things get low
The heat turns on, anger shows
Its so crazy, just drains your soul

Then one day the light shone on me
The darkness defeated and flees
He rescued my soul, Grace overflowed
The chains broke and I’ve been released

Bridge:
My soul acclaims
Honor and wisdom and fame
To praise Your name
I’ll follow You wholly
And walk with You daily
Serve You supremely
To carry the gospel flame

In Christ
music n lyrics by Aris Siew

Chorus 1
In Christ is hid
All of the treasures of wisdom and knowledge
In Christ is hid
Love without measure
Eternal forever

Believe and find
Real peace of mind
Beyond the cares of this life
From east to west
The truth confess
The Lord has provided sweet rest

Chorus 1a
In Christ is hid
All of the treasures
Of wisdom and knowledge
In Christ in hid
Love without measure
That man has not seen
When we believe
O its true
Its for You X3

Verse 1
So I come before Your throne in prayer
I go down on my knees to seek You Lord in prayer
Open up my eyes, to see a revelation of Your face

That my flesh would melt in the presence of Your love and grace
Till my Spirit soar to heights unknown to men
Keep my eyes always on You
Never let my heart go astray.

Verse 2
I will seek Your face in truth, Almighty God
In the quietness of the inner sanctuary
I tremble inside, captured by Your glory and Your fame

When I stand before You face to face and heart to heart
Give me a revelation of who You are
A revelation

I Need You
music n lyrics by Lourdes Dass

I long to be in Your presence
To be immersed in Your fragrance
To touch You, to hold You
To be wrapped in Your arms
I long to seek Your face
To receive Your holy grace
To worship You, to adore You
To be clothed in Your warmth
I need you

Chorus
You lift me up
And renewed my mind
You fill my cup
With your love so kind
You set my feet on the highest peak
I need you

I long to see Your beauty
You prompt me so gently
As my heart is cleansed
I rise in strength
Through Your holy fire

I long to hear Your words
To behold the mighty works
To draw from You
To drink from You
From the river of life
I need You

Chorus X 2
You lift me up
And renewed my mind
You fill my cup
With your love so kind
You set my feet on the highest peak
I need You

Bridge
O Lord I’ll be lost without You
I need you
O Jesus I’m desperate for You, I need You
My spirit longs for You
I need You

Chorus X 1
On the highest peak I need You
On the highest peak I need You
O Jesus my Lord, I need You

All rights reserved. Used by permission

Every Time I Pray
music by Ng Wah Lok
lyrics by Ng Wah Lok n Voon Yuen Woh

I will come to You in prayer
I will seek Your face
I will stand within the gap
There will I intercede

Chorus
For every time I pray
I move the hand of God
My prayer does the things
My hands cannot do
For every time I pray
The mountains are removed
The paths are made straight
And nations turn to You

I am weak and helpless Lord
You my strength shall be
Guide me with Your gracious hand
There will my victory be

c 1981 Ng Wah Lok n Voon Yuen Woh
All rights reserved. Used by permission

Wherever
music n lyrics by Aris Siew

Chorus
Whatever You ask me
Whatever You want me
Whatever You tell me
I will do

Wherever You lead me
Wherever You guide me
Wherever You send me
I will go

Verse
I will go where Your Spirit
Leads me on to cross
The deepest sea and
Through the fiercest storm.
I will do the things You’ve commanded me to
I will go
I will go

Verse
I will pour out my soul, Lord
A servant with no name
Surrender all,
Abandoned to Your dreams
Help the poor and wounded
With compassion so deep
I will go
I will go.

The Spirit
music n lyrics by Aris Siew

The Spirit of the Lord
Is upon me, is upon me X2

To preach good news
To every heart
To break the chains
Set the captives free
To heal the blind
Raise the dead to life
O the Spirit is upon me.

The Spirit of the Lord
Is upon me, is upon me X2

To pull down walls
That divide us all
Defend the weak
And let justice speak
To stand for truth
And oppose the cruel
O the Spirit is upon me.

Bridge
Come like a wind
Rushing in
Stir a storm
Send down your flame
Light the fire
Let it burn

Leaning on You
music n lyrics by Aris Siew

Chorus
I’m leaning on You
I’m leaning on You
I’m leaning on You
No one to run to
I’m leaning on You. X2

Verse
Winter cold wants to stay
To steal your joy this day
Happy sounds fade away
The sky turns to gray

Come away from the crowds
I hear the Spirit say
Cast your worry and doubt
Lift up your hands and say

Chorus 2
I’m leaning on You
I’m leaning on You
I’m leaning on You
No one to run to
I’m leaning on You. X2

I’m hiding in You
I’m hiding in You
I’m hiding in You
Under Your shadow
I’m hiding in You X2

Verse
Trembling inside
I lie awake at night
Fear and troubles abide
Too tired to fight

Come away from the crowds
I hear the Spirit say
Cast your worry and doubt
Lift up your hands and say

Chorus 2
I’m running to You
I’m running to You
I’m running to You
No one to run to
I’m running to You X2

Precious Jesus
music n lyrics by Aris Siew

Jesus Precious Jesus
Lamb of Glory
Died to save me
Jesus Precious Jesus
Pure and Holy
You are worthy

Chorus:
So I wanna sing Your praise
Holy hands I raise
Worship You in all of my days
O I wanna see Your face
Run in all Your ways
Jesus Christ I offer the highest praise

Jesus fill my soul
Jesus fill my soul
Jesus fill my soul
Jesus fill my soul

Malaysian Academy Awards? Political Humour

2010-08-20T18:10:00.001-07:00

It's a wonderful saturday morning and I've got 2 appointments before a 5pm practice. I thought I'll throw in something humourous from RPK's site

Disclaimer (the only serious statement here): If you don't get the jokes, it's high time you read the papers. The Bible exhorts us to "watch and pray". You probably won't find it funny if you are not up to date with current affairs. How are you to pray when you don't watch? Sometimes apathy cuts down our effectivenesss in music ministry.

1. The best alternative lifestyle drama award

a) Ahmad Ismail, the ex-Umno Chief of Bukit Bendera, Penang, in ‘Boys to men’ (shot in his apartment in Batu Feringgi in Penang)

b) Kevin Morais, the DPP of MACC, in ‘I’m dreaming of a white Christmas’ (shot in England)

c) Khairil Annas Jusoh, the special aide to the Prime Minister, in ‘Never kiss and tell’ (shot in Seri Perdana in Putrajaya)

And the winner is…

2. The best courtroom scene dialogue award

a) The Karpal Singh sedition trial, ‘ultra virus means insulting the Sultan’

b) The Teoh Beng Hock death inquiry, ‘Have you ever jumped off from a building?’

c) The Anwar Ibrahim sodomy trial, ‘Charged for sex with a duck but evidence for sex with a chicken’

And the winner is…

3. The best double-speak dialogue award

a) Ibrahim Ali for his ‘I am a Director of Vincent Tan’s company because I am opposed to the Chinese controlling the economy’

b) Muhyiddin Yassin for his ‘I support Najib’s 1Malaysia as long as we maintain the Ketuanan Melayu policy’

c) Chua Soi Lek for his ‘The Chinese are not running dogs to the Malays but Umno is the big brother to MCA’

And the winner is…

4. The highest budget drama award

a) PKFZ: RM12 billion and still counting

b) MAS: RM9 billion down and no end in sight

c) Bakun: damn that dam and what was the cost again?

And the winner is…

For the rest of the jokes, click here

What Our Clients Say About Us ? ( Repairs )

2010-08-18T07:03:00.000-07:00

G-Sus services is fast, reasonable and reliable!

1) Fast - Their services cater for our needs. As a working person, basically we find it hard send our spoilt stuff for fixing and checking. G-Sus has assisted a lot by checking, dismantling, collecting, quoting, repairing, sending back and installing which just took 5days to get everything done. Imagine they got the spoilt items on Sunday evening and everything were fixed before Friday prayer meeting, that is called excellent and efficient!!
2) Reasonable - They quote reasonably for repair and checking. They met our budget and even allow for discount.
3) Reliable - After their check and repair, we played confortably during Sunday Worship without any distraction. It is just like brand new system!!

Eric Chan
Music Team Coordinator
Bethany Chapel

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"The promptness in collecting, servicing and sending back the serviced equipment has enabled the church to run its full capacity in the area of sound . The support that G.SUS have given to the church helps to make sure that the message is carried clearly to the people. Thank you for living your part to build God's kingdom on earth. I believe that through the role you have taken up, you will be a blessing to many churches in this area."

Liaw Hui Sun
Head of Sound Management Team
His Sanctuary of Glory

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"We recently bought some speakers and other equipment to improve our PA system in our church through G.SUS. I must say that when it comes to servicing or repairing, G.SUS has tirelessly gone out of the way even on Sundays to help us. We are particularly thankful for the times when we needed something done before an event such as a concert in our church, and sometimes even under such short notice, G.SUS has never failed so far to meet our needs. The quality of the equipment bought are of good quality and reasonable in price as the founder of G.SUS, Timothy Lee, has not only good technical experience but musically as well and is knowledgeable when it comes to recommending the best equipment and also the best way to install it in your church."

Gideon Yong
Assistant/Worship Pastor,
Gereja Glory AOG Salak South KL

What Our Clients Say About Us ? ( Installation )

2010-08-16T06:20:00.000-07:00

In September 06, we have ask G.SUS to upgrade our sound system with limited budget that was alocated by the church. I thank the G.SUS sales personnel for their recomendation within our limited budget. It is much better now compare to our previous system. Thanks for their advice and recommemdation.

Ps Joshua Lee
Senior Pastor
Faith Covernant Tabernacle

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G.SUS is a spiritual and yet a professional company. We are well satisfied of the service, professionalism and the integrity of the well trained professionals in the company. I highly recommend their services and expertise.

Ps Jeremiah
Senior Pastor
Life Harvest Assembly ( Chow Kit Branch )

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The services provided by G.SUS is good and reliable. We purchase a sound system for our church recently and we found that the job was done well and professionally. The system met the needs of the church given the limited budget the church had. We are thankfull for Gsus and would like to recommend their services to the other churches.

Rev Sheng Peng Hui
Senior Pastor

Harvest Community Church, Muar

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Community Baptist Church, P.J. underwent some extensive renovations in 1998. We tore down the roof of two shop lots and convert the upstairs of the two lots into one big hall without obstructing pillars in the centre.

To complement the new hall, we believed that the church should have a reasonably good sound system within our budgetary constraint. We commissioned Timothy Lee-G.SUS to install the sound system after finding that his quotation was competitive and furthermore being a musician himself we have someone who understood the needs of the musicians and singers.

The church is very pleased with the system installed and after a good 6 years now, the whole set including the microphones are still performing well.

Stephen Choi
Elder
CBC PJ

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"The service provided by Bro Timothy of G.SUS was excellent. He has helped us to purchase a PA system of good quality within our budget. With his wide knowledge of the product he has shown his professionalism in setting up the system in our church."

Rev. Chris Lee
Senior Pastor,
Methodist Charis Community Point

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When our church was being built, we were looking for a new and good yet
affordable sound system suitable for holding mid size concerts for 500
people besides normal worship services. G.SUS under Timothy Lee provided the
best recommendations and reasonable prices. The installations and
commissioning were completed within the time schedule. We have held three
very successful concerts since moving into the new building and the sound
has been incredible. We have significant extra power to boost it even
further. I highly recommend the services of G.SUS.

Rev. Aris Siew
Senior Pastor
Praise City Church

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"Apart from knowing Timothy of G.SUS as a brother and serving in the same church; I also had the opportunity to work with him on producing a few series of pre-school musical CDs for my group of kindergartens. My R&D team and I were really pleased with Timothy's professionalism in ensuring the high quality of the CDs as well as in meeting all the stringent deadlines. We especially appreciated Timothy for going the 2nd/3rd mile to make sure that all CDs are delivered to us on time.

Keep up the great job, brother!"

Esther Yong
General Manager (Operations CEC Kindergarten)
Education Ventures Sdn Bhd

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I purchased a Pandora PX-4 by Korg from G.SUS, ending my long hunt for a good deal. Their 'at least 10% discount members priviledge' caught much of my attention. A few exchange of emails and phone calls later, we made arrangements so i could test out the little box (PX-4). Their service is very good.

I hooked my electric guitar into the box (PX-4)and listened via a Tascam wireless headphone which was thrown in with the offer! I also tested the box (PX-4) in their studio. I walked out with the PX-4 with more than 10% off.

They will definately be in my top priority for future gears and other consultancy.

Alvin Bong, gsus.biz member
Musician
Putera Aman Assembly

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I'm personally pleased to see such effort on your part to bless the churches with this wonderful website of yours. I believe many church musicians are going to find helpful material and courses here to enhance their worship and music ministry.

I also like to commend your professionalism and competency in servicing the music needs of our church, from sound management in our concerts to minor inquiries. Indeed, you have what it takes to carry out your offerings in your website with such efficiency and effectiveness. You deliver, man! Keep it up.

Rev. Julian Low
Music & Youth Pastor
Praise City Church

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"Thanks for your support! As with most churches we may not have the expertise and exposure to products that are suitable. Most of the time we end up spending funds on equipment that don't suit our purpose accurately. Having professional advice and time to try out the product helps in making decisions that eliminates mistakes. Will definitely recommend your services to other churches and any other organization."

Mui Kok Wai
Musician
SS Methodist Church

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Shalom to all G.SUS staffs,

Thank you for all your prompt services and fast delivery of the drum set. Good recommendations!

After using it for 3 months, we found the Sonor drum set is really solid and has got the "ummph" sound. Would highly recommend all churches to use it for the better sound and economical price.

Thank you once again for your kind assistance.
God bless you.

In Christ,

Ps Tommy Ting
Subang Christian Fellowship

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The team at G.SUS are in love with Jesus! We found them to be professional in their services, Christ-centred in their business ethics, adaptable, and possessing a sincere servant's heart. G.SUS is a business but it is much, much more - it is a ministry to the Body of Christ.

Rev. Dr. Peter Chin
Moderator, English Speaking Presbytery, Gereja Presbyterian Malaysia Senior Pastor and Founder of Gospel Esplosion Presbyterian Church

Ps. Koshy Thomas
Co-founder of Gospel Esplosion Presbyterian Church

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"G.SUS, in particular Timothy Lee produced and recorded my 2 albums 'Every Time I Pray' and 'Shining Stars'. His job included arranging the songs and preparing the MIDI file for approval. Once the arrangement was approved, he did all the live recording of instruments and voices at his own studio. When all the recordings were completed, a sound engineer was brought in to mix the entire album. In total, 24 songs were recorded from my 2 albums at GSUS Studio with Timothy as the producer. Those of you who have heard my albums will find that he has done a good job."

Pastor Ng Wah Lok
Principal,
Tung Ling Seminary

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What Our Clients Say About Us ? ( Training )

2010-08-16T06:01:00.000-07:00

G.SUS has been very helpful in providing professional training in sound engineering. Our church has been blessed to have Timothy and his team to assist us in training our PA men through the Sound Engineering Class. The theoretical principles as well as practical hands-on trainings has helped our PA men to serve better in the PA ministry. As such, we recommend other churches and ministries to consider G.SUS as the priority music and PA service provider and consultant in times to come.

Timothy and the G.SUS team has done a great job. Compliments!!

Michael Kok Howe Phoon
Soundman
New Generation Harvest Church, Belakong

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I personally have learned a lot from the training conducted by G.SUS. The technical knowledge and practical hands-on had helped me to better understand and handle the church PA System. I am bless by the training provided by the team and may they continue to bless others as they have bless me with. Thank you and keep up the wonderful works!
Caleb Chung Kok Heng
Soundman
Harvest Christian Assembly, Klang

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I'm Lee Mou from Kepong Chinese Methodist Church in KL. Unlike other PA courses I attended, I gained practical hands-on experience from the Sound Engineering Course provided by G.SUS. They give concentrated and effective training to small groups, and tailor-made the trainings into different levels to suit our understanding and progress in the sound ministry. I personally like the training approach that follows up with church visit to help us in understanding and applying the stuffs we learnt. Thanks and keep it up G.SUS.
Lee Mou
Soundman, Kepong Chinese Methodist Church
Sound and Jazz Training

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We are priviledged to host the 1st ever Sound and Jazz Training by G.SUS in Sabah and under the tutelage of Bro. Timothy himself. We had a good number of participants from churches in Kota Kinabalu also.

The courses on Sound Engineering Level 1 and Jazz Harmony Level 2 are well structured and are suited for churches especially with contemporary band settings. Our worship team benefitted greatly in knowing the fundamental and basic of the right way of getting the sound together and playing as one. The Jazz Harmony sessions gave us insight to a whole new universe of coloring of the music we play.

On a personal note as a player and a keen sound enthusiast I was greatly blessed for the refresher on Sound Engineering and learning new stuff on Jazz Harmony. I now have a whole year to practice what is being learned before Timothhy comes back again. He also gave us some useful recommendations on upgrading of our sound system.

So I would readily recommend G.SUS and Bro. Timothy to any church in equipping and training your worship ministry. God Bless.

In His Service,
Sunny Kelvin
Worship Overseer
Calvary Charismatic Centre, Kota Kinabalu

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"I have known Timothy Lee (The Man behind G.SUS) for about 10 years now. Kajang Assembly of God has been sourcing musical equipment including PA Systems from him for many years. He has been able to provide good service, as well as sound advice to the church with regards to the selection of equipment and its usage."

"Through Tim, we have also been able to send our Soundmen for some formal training, which has helped them to be better equipped at what they do. Besides that, we have also been able to arrange for vocal lessons for our worship team through him in the past."

"Tim has the contacts & is well networked in the local Christian Music Scene. If you require assistance with regards to setting up your PA System, purchase of musical equipment or even trying to secure the services of a Christian live band for a function, I recommend you to contact Tim!"
Robert Cheliah
Music Director
Kajang Assembly

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Feedback on Kok Yen's Dr Drum Workshop

The workshop was structured and well prepared with helpful notes and actual demonstration. The Q&A session was good and everyone has a chance for a short individual session on the drum. Overall, the session has been fruitful and professionally carried it out. I would highly recommend Kok Yen for any churches that would like to elevate their drummers' technical skills.
Feedback on Timothy's Training

Over 2 weeks, Timothy has successfully and effectively carried out the modules of training planned for FBC, namely Jazz Harmony, Sound Engineering & Ensemble Training. The sessions and course contents are of high professional standard, yet with flexibility to tailor made for the needs of FBC. Timothy's approach to technical training has been very hands on and practical, getting everyone out of their comfort zone by pushing the team to a higher level of skill. He has helped set a yardstick of excellence for worship leaders, musicians and sound engineers. We look forward to future working together with G.SUS to make an impact in our nation's creative arts domain.
Ooi Peik See
FBC Worship Team
First Baptist Church Kuching

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"Our music team gained substantially from our sessions with Timothy. Apart from learning the skills of playing as a team and having each instrument finding it's place within the band (instead of all clashing with one another), the one other thing we benefited was realising the team's potential. There was so much more we could do as a team, and the music we were producing sounded much better. I also appreciated the 'balanced' approach to making good music, where spiritual significance and submission to church leadership (including worship leaders) are treated with equal emphasis."
Toe Ju-Li
Worship Leader
New Life Restoration Center , Cheras.

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"I have benefitted from the ensemble training, especially in terms of band dynamics awareness. Also, since the entire team trained together, we developed a kind of 'common understanding' to intentionally make the music more alive. It's easier now for the team to work out the songs and get creative. Our training session also helped reinforced discipline & punctuality, both things which we tend to be slack in when we get too comfortable."
Katherine Chiang
Keyboardist
New Life Restoration Center , Cheras

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Subscribe to GSUS Googlegroup

2010-08-10T05:29:00.000-07:00

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Acoustic can make or kill the sound in your hall Part I

2010-08-01T16:48:00.000-07:00

Remember the time you went house hunting? You would enter the empty property and it would be echo-ey. Sometimes it was so bad you couldn't hear what others were saying even they were just a few feet away. Of course the sound or 'acoustic' changed when you move in with furnitures, fixtures, curtains and all. This ehco-ey sound or reverb can be disasterous for a church hall. More so for the modern worship band. The shape, dimensions, finishing and furnitures will determine how it sounds - regardless of what type of sound system you have.

SHAPE - is the hall square, rectangle, shell, round, L or T?

Dimensions - usually anything more than a shoplot will start posing problems with acoustic

Finishing - are the floor, wall and ceiling reflective surfaces?

Furnitures - are they reflective or cushioned?

Clear, audible sound is a priority in any church where sermons, songs and multimedia presentations communicate the Word of God. Learn how to save your church tens of thousands of ringgit when you build your new sanctuary with acoustic in mind.

Click here for full article

Let's not be "Penny-wise, Pound-foolish"

2009-02-12T19:11:00.000-08:00

Facing with the current economy condition we at GSUS extend our shoulder to bear one anothers burden by offering our service in helping you to be 'Penny-wise, Pound-wiser.'

A penny is a small amount of money and a pound is a larger amount. "Penny-wise, pound-foolish" is to be cautious (wise) with small amounts of money but wasteful (foolish) with larger amounts. Example: "We've worked so hard to save money that if we took a vacation now it would be penny-wise, pound-foolish." People sometimes worry about spending small amounts of money; then they carelessly spend much larger amounts. Example: "He spends very little on accessories, then blows all the funds on lightings. He really is penny-wise, pound-foolish."

The word, stewardship, simply means to manage someone else’s property. For the Christian, as Scripture proclaims everything belongs to God, we manage the property of our Lord. Since everything belongs to Christ, we need to have the attitude and view that our things are His things, our stuff is His stuff, that all we could have now, all we have lost, all we will have, is His, including our very bodies and spiritual gifts. We are mere lessees of the property, money, relationships, talents, time, and even our lives. That means all that we are and all that we have are not really ours to begin with. They belong to God. So, the duty of the Christian is to learn how to become responsible stewards of our Lord’s resources entrusted into our care. It means to manage everything to the best of our abilities for His glory (1 Cor. 4:2).

At GSUS we offer restoration and repair services for your P.A. system so, instead of replacing the broken equipment or instrument with a brand new one, our dedicated technicians will inspect from every nook and corner to identify which parts or components that needed to be replaced. For instance if you encounter a mic problem, the common faulty is the soldering of the connectors. Instead of buying a new length of cable you can just request us to replace the old connectors with new ones which would only cost a fraction of the entire set. However it depends on the condition of the cable, and if the lifespan is of age we would advise accordingly. Therefore sometimes it is wiser to purchase another and keep the existing piece perhaps for stage props? Or maybe I can convince our business development manager to accept trade in so at least there are some savings.

We would like to take this opportunity to keep you informed that our Friday Policy for all repair and services is still in practice. We will fix an appointment to collect the item from wherever you are within Klang Valley, and your repaired and serviced equipments or instruments will be delivered to your doorstep latest by Friday evening. As we are called to deliver what we promise we ensure consumer satisfaction on your part with these value added and cost effective savings. We believe that with this commitment to serve and build music ministries across churches we will be blessed with your support, trust and the opportunities to cater to your music and worship ministry needs. We are just one call away!

Church Guitar 101 by Bernard McDonagh

2009-02-04T19:02:00.000-08:00

2. W M D (Working at Making a Difference)

RECAPITULATION

Hello again, fellow guitar players. In the first ‘101’ article, “The Guitar and The Church”, I attempted to examine how I saw the relationship between the modern-day Church and the instrument we call the guitar. From my perspective I would say it’s been a relationship with many ups and downs; the “ups” (if that’s what they are) only coming quite recently. Despite the guitar being almost ever-present in Church these days, I get the feeling that it’s really only grudgingly accepted; and with very big strings attached (pardon the pun).

In this second article I would like to discuss further some of those things from part one, and then offer some suggestions regarding a way forward. Hopefully these ‘Guitar Solos’ will provide food for thought and a creative impetus for fellow guitarists. Whatever your views, I hope this article will promote healthy debate about our worship culture, as I ask you, and seek to challenge you by way of these words, about your own convictions on worship, music, guitar playing, music-ministry, and Christian living.

These articles are, of course, not “How To Play Guitar” lessons as such, though some ideas may come out of it. They’re about the how, why, and what for of making music, and about character; that is, our own character. They’re about demonstrating and living out our inner Christian values within the context of our being musicians, and in our music itself. It may seem incredible, but I think this is an overlooked area for musicians! I expect we have all heard a lot about holiness, and about commitment, integrity, and so on. Yet I wonder if we have paid enough attention to how our music itself, our music-making, and our efforts as musicians in the Church shape up in the light of those things.

WHO, ME?

I venture to say that when any of us think about issues within music we would usually think right away of other people, other places, and other times. Somehow, we don’t often question our own motives and efforts, and we do not like to associate our own music with any notions of right and wrong, good and bad, or tasteful or tasteless. To some, music is just a job. For others it’s a vocation, a ministry; a spiritual service. For some it’s only a hobby, or even (God forbid) a “ministry”-hobby!! It may be our calling and passion, or just something we ended up doing, but I believe it’s time we all examined our hearts.

Somewhere in a persons music will be that persons beliefs, their motives, and their whole philosophy of living. This may sound a little “out there”, but it’s really not; our spirituality really is revealed in what we do. For example, if one’s philosophy is that music is just a business, believe me, it will show. If we are dedicated and passionate about music, this will show too. If deep down we think the standard of our music doesn’t really matter because “it’s just worship music” so “it’s only the heart that matters”, likewise this will show too - in the awful music we would probably make. We will have already failed if we live by such a (false) standard, because our heart will not be in the music we are making. If it is only the heart that matters, then surely our heart ought to be in what we are doing!! Worship is not just singing words is it? No, it is everything we do, musical and non-musical!

KEEPING IT REAL

It was noted last time that the guitar has some competition in Church life and in the affections of Christians. For me the piano deserves its place of high esteem, but if you’ve read my “Confessions of a Music Fundamentalist” article you’ll know I think electronic keyboards are awful things. They are legitimate instruments of course, and they have their merits. In the right hands they can sound great. However, they can also be abominable! There’s almost nothing worse for me, musically speaking, than hearing keyboards/synthesizers imitating other actual instruments. To a certain extent honesty is being ripped from the heart of music, and its place is being taken by sequencing, rhythm tracks, and other falsehoods. Thanks to our technology-loving, keyboard-playing friends, programmers often take the place of musicians, and soul-less imitations of real instruments are now everywhere in music.

Now I’m sure someone will have a good comeback on this one. That’s ok; this is only my opinion after all. I will be expecting some good replies from keyboard players! As for my point though, think about it: technology imitating real instruments!? NO actual instruments or musicians involved in playing what you are listening to? (Save for the synth and its player.) It beats me why anyone finds this attractive. What’s real about this “music”, and what’s honest anymore?

On top of this, when it’s all said and done, I think it sounds really awful anyway! Call me old and in-the-way, but I can’t figure out how people can actually listen to and enjoy the sound of synthesizers! Naturally, brilliant musical minds can do amazing things with keyboards. It’s definitely possible to enjoy that creativity, but I usually find this has to do more with the notes and the music as such, not the sounds. There have been times when a creative musician has moved me with wonderful original sounds on a synthesizer, but never with the awful sounds of imitation brass or woodwinds, imitation drums and percussion, imitation guitar, etc. that we’re usually bombarded with. Even with digital sampling giving really life-like sounds, there is still no actual life; the phrasing and the true character are just not there, and the keyboard – despite all the breath-controllers and pitch-wheels – just cannot provide the soul of the player or that of the instrument itself. The bottom line is: IT’S NOT REAL!

In smaller churches the keyboard is often used to cover up a perceived “problem” of not having brass, or strings, or whatever. Please read on, because I hope to show that this is a fallacy, and that we can and should appreciate what we have! It’s not wrong to aspire to big things, but to think we must have a large band, lots of instruments, a choir, etc. reflects a very narrow perspective of what is good musically; worse still is that the whole basis for this view could just be someone wanting what someone else has got! The keyboard fills the gap for these people, appearing to give the bigger sounds they think are necessary or attractive. As a result the instrument is forced into a corny imitating role instead of a possible contribution of originality and worth.

At its best, the electronic keyboard is a valuable instrument adding something unique and vital to our music and worship. At the other end of the scale it’s an absolute horror. For me this “misuse” (as I see it) basically boils down to poor taste (highly subjective), or perhaps an uninformed following of the patterns set down by others. Yet despite this history of being used in such corny ways most of the time, the synthesizer itself remains an amazing invention and an amazing instrument. It’s capable of incredible sounds; unique and completely original, unheard-of-before sounds! Shame then, that it is so often used just to imitate something it can never be.

GUITAR SOLO: Not Imitating the Imitators!

1) Ninety-nine percent of the time a synthesizer is controlled by a keyboard, but sometimes by another instrument – like a guitar. Here’s a strange thing: some guitar players delight in doing what the keyboard players do. They have a guitar synthesizer, and delight in making their guitar sound like a piano, or flute, or some other known instrument! This is the same corny thing the keyboard hacks are doing! Why in the world would a guitar player want their guitar to sound like a flute, or a piano?! A strange thing is that all synthesizers seem to be programmed with preset sounds that facilitate this backsliding! However, just as keyboards can be used creatively and tastefully, the guitar synthesizer can also be great when used thoughtfully and creatively. I hope that guitar players will avoid the pointless and tasteless exercise of imitating other instruments! It’s already been done, and the results are awful.

2) Closely related to the above point, is that the guitar is a beautiful instrument with its own unique sounds. It’s always something to be admired when a guitarist gets a great sound without relying on technology. There’s nothing wrong with technology at all, but being dependant on it for even your basic sound and tone is sad! It’s a shame because the guitar sounds great without those layers of chorusing, delay, and whatever else we bury the actual guitar sound with. I use those sounds and effects sometimes too, but in my opinion too much of it is like when a pretty girl wears way too much makeup. Why do they do it? :) Or it’s like processed food. Pure, natural, and fresh produce is best! Pure, unaffected guitar tone is just what the doctor is ordering too! (More on this in part 3...)

MUSICAL DEPARTMENT STRUCTURES: THINKING SET IN STONE

On the subject of instruments in the Church and church services in particular, I think it’s a shame that the prevailing trend is one of Rock band domination. (Of all things!) I don’t see much Church music as being loud, up in tempo, and full of driving intensity!; i.e. ‘Rock’. I’m referring mainly to the instrumentation and the groups, not the style of music. So many instruments are excluded because they are not part of the standard Rock band setup. But where does this standard come from, and why must it be the standard?

The Rock-band line-up of guitars, keyboards, electric bass, and drums is all-prevailing, and this is why so few other instruments are found in church. You can’t Rock with a trombone or a violin, can you?! Of course, there are trumpets, saxophones, and violins, etc. to be found in church, but they’re usually only found in a horn or string ‘section’ in the bigger churches. We usually won’t find solo violins, saxophones, or trumpets, etc. though we might occasionally. We’ll probably see a blue moon before we ever see a mandolin or dobro in church though (parts of the USA notwithstanding), and when you see a harmonica in a church worship service you’ll know the end is surely nigh!

What about all those other instruments? There are very few musicians coming along who play those other instruments; most probably because there’s just no place for them at the moment if they did come along. Do we have the desire and the skill to graft them in if they did appear among us? Even aside from people being left out, other musical possibilities aren’t getting a look-in either as this ‘Rock-band’ saturation continues. Think about this: most churches have the same instruments and same Rock-band format, and play mainly straight 4/4 Rock rhythms. Most big churches have a choir, and nearly all churches have 3 or 4 singers out front! They are all playing a lot of the same songs, and they’re all playing them the same way! This looks and sounds a lot like musical fast food to me…

Who says Rock-band has to be the template for worship? Of course no-one says it has to be, but it certainly is at the moment. (It could be worse I suppose, Hip-Hop worship anyone!? :) Rock became the popular musical language of the times quite a long time ago, (we still think it’s new though, don’t we!), and Rock-band is the format for most church music because the band structures have followed on from that music’s cultural dominance. Rock is still going strong, but it’s not as all-prevailing anymore. Don’t be too surprised if other musical forms, or hybrid forms, eventually assume greater prominence in church music; just as things changed from the Church music of the 50’s and 60’s into the Rock band thing we have now. If we look closely, perhaps the lines may be blurring already.

GUITAR SOLO: Beyond Predictability

If we are Music Directors, Pastors, or others in leadership, then what we can do is surely obvious: we can set about creating a place and opportunity for people in the congregation to worship on their particular instruments who may be without place or opportunity at the moment. I think it would be cool to have a trombone playing with a church Rock band; so too a tuba, fiddle, vibes, or accordion! It will mean having to create fresh arrangements, and steering away from what we know to less familiar things. Creative musical alternatives will be needed; no doubt about it. The tuba player may need some help too!

Apart from varying the instrumentation, creative use of existing instruments would be great too. We always try to include new songs - sure, we know about that; but what about fresh arrangements as well? Are we bringing new songs, yet bringing them with the same old rhythm, the same old keyboard sounds, and the same old everything? How about having melody and/or harmony parts for the bass?! What about a short-term ban on straight-Rock feels, or asking the drummer to use the drum kit as percussion only?! What about a few slots in the monthly timetables without any Rock-Bands rostered? How about all-acoustic Sundays? Keyboard-free days? Guitar, or drums-free Sundays?

I also think there’s a strong case for older people to be more involved in Church music. Rock bands have been around long enough for great-grandparents to be playing in the services, but they simply aren’t doing it. I’d like to see more older musicians involved; even within the existing Rock-band framework. No offence is intended to our young musicians and singers. They’re welcome too, and need to stay involved. I’m saying more age-balance would be a positive thing. The trouble is we oldies have got a lot of other responsibilities. We are rightly busy with our families and other commitments, but sometimes we’re probably scared off by the average age of the musos! Whatever our reasons for not being involved, we should be serving the Lord and His body the Church if we have musical gifts. Of course this article is ‘Church Guitar 101’; evangelistic callings aren’t being addressed here, and there’s a world of possibilities there for musicians too…

Whatever age we are, if we are not in leadership roles we can still make suggestions to those who are, and help with the awareness of issues. Perhaps the best thing we can do as individuals and as guitarists is to be dedicated and work hard on our music. We should seek out creative ideas and fresh ways to do things; strive to play creatively, and write original songs. Also important is staying away from clichés, and pitfalls like the imitating of others. As a guitarist myself I definitely seek to play something fresh and original every time I play. It’s challenging, but I’m committed to being as creative as possible. Last weeks’ worship time, arrangements, and solo were just that: last week. Stale offerings should have no place brethren! Whatever the ensemble size or its makeup, I believe we need to approach each occasion of worship with an attitude something like: “what fresh, genuine music and worship am I going to offer to God today?”

SMALL IS BEAUTIFUL…

I spoke earlier of smaller churches finding some sort of Weapon of Mass Deception in the keyboard. It’s a fact of life that smaller churches usually have only a few musicians. Most will see this as a problem, but the only possible issue I see is a potential burnout problem. There couldn’t be any musical problem with small numbers could there? Sadly, prevailing trends seem to suggest small churches just aren’t “happening” without a choir and huge band; but this is a shame because it’s just not true. It’s one thing to be undermanned, or have no-one at all, but another thing entirely to have small groups or even two or three musicians available. Rather than seeing this as being poor cousins of the big churches I would encourage anyone in this situation to count their blessings and see this as a wonderful opportunity, and fertile ground for something creative, fresh, and vital to take place. As for burnout, inviting guest musicians/teams is an idea that can work well.

Worship has no prerequisites in terms of band size, instruments used, or anything else. God gives us tremendous freedom and liberty in these things. It’s a shame we don’t take Him up on it! Why must we have the bigger, stage-fulls of musicians? No reason at all, other than cultural conditioning. We are led to believe that this is the way things ought to be, and pity the poor church without the choir (don’t forget those robes too!) and all the razzmatazz of mega-church music. The Lord showed Moses that with what he (Moses) already had “in his hand”, He (God) would do great and wondrous things. Small church people - look and see what you’ve got in your hand. With trust in God it can be something powerful, something special and something unique.

There’s wonderful music possible in smaller groups! Have you never heard any great duos, trios, or quartets? These smaller groups have an intimacy and freedom that bigger groups can never match. Small ensembles allow for the players themselves and their instruments to shine. The weight of responsibility is greater of course, and it might be scary for the players to have just two or three instruments on a Sunday morning. However, what musician wouldn’t want the chance to really play something of substance? Who wouldn’t want to make music unto the Lord and really shine on their instrument in His presence?

Is it cool to have a string section? Sure it is, but personally I think the rich, singing voice of one solo violin is even more beautiful. The same could be said for brass and woodwinds. They sound great together, yet to my mind one trumpet or saxophone in the hands of a great player is ultimately more beautiful without doubt. Can you see the intimacy I’m talking about here? I love orchestral music, and Jazz big band too, but most of the time I would rather hear a smaller group of musicians. There’s a special kind of chemistry and an uncluttered musical clarity that shines through. Bigger ensembles have their own charms, but a whole stage full of people cannot produce the same intimacy, subtlety, or interaction of the small groups.

Far from needing large numbers of musicians we could easily get by with just a few don’t you think? Do you have two or three musicians? Like Elijah’s small cloud in the distance, or David’s three hundred men - that’s enough; that folks, will do! Most churches have a worship/music department somewhere between the two extremes of having lots of musicians, or having a few; but the size of a church music department does not matter. Wonderful worship and great music is possible with any number of musicians and any combination of instruments. We need to teach this and practise it. This would be better than worrying about numbers, or looking to get the same thing other (usually bigger) churches have got. Don’t knock the small groups, or despise the small churches. They’ve got the intimacy bigger churches will one day be starving for.

… AND FLEXIBLE

Smaller groups are also significant in the critical factors of spontaneity and improvisation in worship. I believe that improvisation is essential in worship in the same way that it is in prayer. We don’t read other peoples’ words to the Lord in our prayer times do we? Why would we think worship should be scripted and planned in every detail? Some planning is needed, and order and decency observed, yes of course. However, worship needs to be fresh and uniquely offered, not stale and repetitious, or ‘cut and pasted’ from last week! I cannot see a place for rigid routines and the following of formulas. ‘Worship’ must be in-the-moment, and certainly in terms of music this will take creativity and effort on our part.

Any improvising musician or singer knows the beauty of making music or singing a new song to the Lord in the moment of worship itself. With smaller groups the intimacy and communication needed between the musicians and singers for improvisation is possible, and musical worship can happen on an amazing level. The bigger the band, the more important the structures and arrangements become, and the less likely it is that improvisation will be possible to any significant degree. So the smaller the band the more possibilities for the musician; and the singer!

Of course, improvisation is a highly specialized area. There are probably a great many churches that have seen little or none of these things before, and there’s undoubtedly a real need for teaching and training in this area. It’s certainly a deep subject, and one that demands attention in our music departments and congregations. God willing, perhaps we can discuss this subject in much greater detail in the future.

My hearts’ delight as a musician and as a worshipper is the improvisation, but there is a lot of pleasure and enjoyment to be found in playing good arrangements too that’s for sure. Understanding and developing ensemble skills basically goes hand in hand with knowing how to play your instrument. Guitarists should of course be well-versed in the common language of guitar. The challenge is to avoid the predictable, while still coming up with some great guitar parts. Being able to create musical arrangements for a band is a necessary skill too. Ideally we would be able to arrange for any group and include virtually anyone; including those we discussed earlier who are usually left out.

Whatever situation we are arranging for or playing in we have the chance to be fresh, and to be original. Let’s take it! Whether the arrangements are thoroughly written out, loosely sketched, or just verbalized, it remains our challenge as guitarists and musicians to negotiate our way creatively in each musical situation.

GUITAR SOLO: World (of music) On a String (Well, six actually…)

When we are discussing playing in a small or large group, flexibility, or improvisation, it is eventually going to come down to one thing - our skill as musicians. While negotiating the development our skills, having the right course set from the start will be invaluable:

I hope guitarists would never resort to trying to sound like a piano by using a synth just because there’s “only” guitar, bass and drums! The guitar trio is a beautiful, classic grouping of instruments! It’s big challenge for everyone, especially the guitarists, but creative bass players and drummers make all the difference! The guitar is a fascinating and versatile instrument, and it’s easily capable in the right hands of filling up a worship service or a musical performance with more than enough interest and colour.

The guitar doesn’t need electronic enhancement to sound good. There’s such a special quality in the acoustic guitars’ tonal character, and a good one has such a beautiful sound. If you combine this with the nearly limitless ways it can be played… well, it’s a wonderful thing! Then there’s the mind-boggling array of colours in the tonal palette of the electric guitar. Either the acoustic or electric guitar option would be great tone-wise, and when you add a multitude of different strumming, arpeggio and picking patterns, rhythmic and accompaniment techniques, and all sorts of options for playing a melody you get an amazingly diverse instrument.

This is not to even mention: 1) harmonics, 2) slide playing, 3) alternate tunings, 4) the use of capos, and 5) other cool stuff like string-tapping and two-handed stuff! The possibilities for guitarists to sound fresh and interesting are almost unlimited. All this and we are still only talking about the playing techniques, the technical possibilities, and the tones we can get from our instruments; we haven’t even started on creativity with the music itself yet!

IN CLOSING

As guitarists in church we would do well to remember that we are to WORSHIP on our instruments, not demo our great techniques. Yet I don’t accept the notion that we are here just to be a backing band for the singers to do their thing! Of course words and singing are vital and that is the main thrust of our worship services, because most people need those things to express their own worship to God. However, the music is not merely a backing track for you, singer! Music is a language of worship in its own right. Many don’t seem to understand this, or cannot accept the consequences of it being true.

This is the essence of much friction regarding music in the Church: the conflict between musical function and music as an art-form. It is here that musicians are often caught in the crossfire. We long to play beautiful music to the Lord on one hand, while we are told to stay quiet and keep it as simple as possible on the other hand. Many leaders see only the functional side of music, and are unable or unwilling to see any point in artistic endeavour and creativity. Music is then censored, and becomes stunted like a bonsai.

Is there any place for artistic excellence in our worship? Is there any place for striving after quality in what we do? There’s an abundance of direction, a wealth of inspiration and clear examples of the artistic vocation in scripture. I say this emphatically and without hesitation. The Psalms alone are full of references for all the conceivable aspects of music ministry. God gives us the biggest book in the bible as one of worship, poetry and music!? What does this mean? The obvious implications are there. Are you are willing to accept them?

Finally, we often hear talk of “comfort zones”. I believe we have comfort zones in our music and even in our worship too. I’m sure we could almost turn up for a service, hit a button and the service just about go ahead on autopilot; things can be that routine for us. We need to watch diligently and be on the lookout for any bad habits. Lazily following patterns is only one of them; there are many others we could uncover. God willing we’ll look more into such things and some other areas next time. Till then, may God bless your musical endeavours.

Sommer Cables 2008 Clearance Sale

2008-11-19T00:53:00.000-08:00

We are clearing our Sommer Cable Collection. Everything must go! These are brand new cables that have been sitting on the shelf for 3 months. Besides the usual microphone or instrument cables, we also have cables for CD players, laptop computers, and other configurations. These are high quality German cables that the top rental companies are using! Pick up the phone and call 012-2976081 to order. Delivery to your doorstep for KL and PJ residents.

MICROPHONE CABLE

Sommer Stage 22 with Amphenol XLR Connectors

5 Meters - RM 83 ; Clearance Price - RM 66

7 Meters -RM 99 ; C.P - RM 79

10 Meters - RM122; C.P - RM98

INSTRUMENT CABLE

Sommer Tricone with Amphenol 1/4" Connectors

3 Meters - RM 58; Clearance Price - RM 46

5 Meters - RM 73; C.P - RM59

7 Meters - RM 89; C.P - RM 71

BALANCED INTER-RACKING CABLE

Sommer Isopod with Amphenol XLR Connectors for connection between sound system components

1 Meter - RM 48; Clearance Price - RM 38

Sommer Isopod with Amphenol 1/4" TRS Connector

0.5 Meter - RM 36; Clearance Price - RM 29

LAPTOP/COMPUTER CABLE

Sommer Isopod with 1/8" Stereo and 2 x Amphenol 1/4" Connectors

2.5 Meters - RM 67; Clearance Price - RM 54

CD PLAYER CABLE

Sommer Isopod with RCA and Amphenol 1/4" Connectors

4 Meters - RM 90 (A Pair) Now - RM 72

Y INSERT CABLE

Sommer Isopod with Amphenol 1/4 " Mono and TRS for Inserting Components to individual channels on mixer

4 Meters - RM 90; Clearance Price - RM72

To order, please call 012-2976081. ( Free delivery within KL & PJ )

Christmas Sale On Audio Technica Products

2008-11-17T23:49:00.000-08:00

We are having a 20% store wide sale on Audio Technica wireless microphones. This includes delivery and setup to KL and PJ destinations. Audio Technica is used by some big names in gospel music including Michael W Smith, Planetshakers, Steven Curtis Chapman, and others. Take advantage of this sale to get a good branded product at "pasar road" price.

Sale ends by Christmas day.

ATW702 Handheld Wireless System
ATW-R700 receiver and ATW-T702 handheld unidirectional dynamic microphone/transmitter. 8 selectable channels, dual diversity, balanced and unbalaced output. Uses 2 x AA batteries.

ATW701/h Headset Wireless System
ATW-R700 receiver and ATW-T701 UniPak® transmitter with PRO 8HEcW headworn microphone. Ideal for hands free pick up. Flexible for singing and speeches. Dual diversity, 8 selectable channels and 2 x AA batteries.

ATW892 Microset Microphone

AT892cL4-TH MicroSet™ Omnidirectional Condenser Headworn Microphone
This product is available in black and beige. Light weight, miniature that is used by today's speakers in management seminars. Clear vocals and almost hidden unseen microphone.

Pro 37 Small-Diaphragm Cardioid Condenser Microphone for Instruments
With a low-mass element for superb transient response and a low-profile design, the PRO 37 has established itself as a versatile solution for studio recording and live performance. Excels in high-SPL applications

AT2010 Cardioid Condenser Vocal Microphone
The AT2010 makes the studio-quality articulation and intelligibility of A-T’s renowned 20 Series truly accessible for the stage. This live performance microphone has been a best seller especially when compared with the more "famous" standard microphones around.
For more details, please click http://gsuskl.blogspot.com/2008/08/best-that-you-can-get-below-myr-450-for.html

MB/Dk4 and Dk6 Drum-Microphone Pack

The MB/Dk4 Drum Pack includes a core selection of four microphones specifically engineered for drum applications: three MB 5k snare/tom microphones and one MB 6k kick microphone. Also included in the
package are three drum-rim microphone mounts and a durable case.

Audio Technica 2000 Series Wireless Handheld Microphone
Frequency-agile True DiversityUHF Wireless SystemsFrequency-agile True DiversityUHF Wireless Systems.

ATW-2129 2000 Series Wireless Systems
ATW-R2100 receiver and ATW-T210 UniPak® Microphone System transmitter with AT829cW lavalier microphone.

ATM73ac Cardioid Condenser Headworn Microphone
Ideal for drummers, keyboard players or anyone requiring hands-free operation, the ATM73a features a comfortable, unobtrusive headband design with side-of-mouth pickup. Less power module; unterminated
55" (1.4 m) cable. Includes AT8125 and AT8128 windscreens.

To order, please call 012-2976081. ( Free delivery within KL & PJ )

K&M Microphone Stand

2008-11-17T22:28:00.000-08:00

Konig & Meyer Microphone Stands are solid, stable, and heavy-duty. I sometimes wonder if people would pay double the price for these made in Germany stands. After all it's China here and China there. With each new emerging China brand, the price keeps dropping. However some of our clients only live by the branded stands. Here's why:

They may be double the price but triple the life span
The smart clients would rather travel in KL jam once rather then 2 0r 3 times to buy or replace the stands
Their microphones are costly and need good solid stands. I remember a condenser microphone (over RM1,000) dropping to the floor on a cheap unbranded microphone stand

Below are some K&M models that we have in stock:

21070

Low-priced all-metal-stand. Consists of tubing assembly, boom arm and zinc die-cast base with long folding legs. Square swivel joint with large wing nut.

WT: 2.5 kg H: 1010/1720 mm BL: 805 mm.

21080

Consists of tubing assembly, boom arm and zinc die-cast base with long folding legs. Square swivel joint with large wing nut. Attractive gray Soft-Touch powder coating with extendable boom arm.

Wt: 3.0 kg H: 925/1630 mm BL: 425/725 mm.

25900

Low-level, telescopic stand with foldable legs. Comes with 2-piece boom arm. Attractive gray Soft-Touch powder coating.

Wt: 2.2 kg H: 425/645 mm BL: 470/775 mm.

29560

Low profile round-base mic stand with telescopic boom arm, designed for bass drums and acoustic instruments. Heavy cast-iron round base, with anti-vibration rubber insert for noise filtration.

Wt: 6.0 kg H: 430 mm BL: 425/725 mmbase-diameter 250 mm

To order, please call 012-2976081. ( Free delivery within KL & PJ )

Racking Up the Wireless Microphone Systems

2008-11-16T18:24:00.001-08:00

Once a sound system uses more than 2 wireless microphones, the receivers will begin to clutter. GATOR offers an easy, affordable, and portable solution to store your receivers and transmitters. It also protects from dust and liquid.

G-Wireless 2 Go

600-Denier nylon exterior
Rugged aluminum valance & rack rail2U PE reinforced 19" rack section with 13.5" rack dept
4 PE foam padded cavities for microphones with clip on
4 Cavities for body pack storage with antennas
Pre-cut foam holds 16 batteries
PE padded reinforced front & top lids
Zipper closure padded compartment for lavaliere microphones, headsets and other accessories
External accessory pocketThrough-bolt reinforced handles
Removable adjustable shoulder strap

GRBW-3U+6W

Lightweight style rack bags great for effects processors, recording equipment and wireless microphones
Works with 6 1/2 space wireless units or 4 1/2 space wireless units and 1 antenna combiner
3U Rack space with threaded field replaceable rack rails
Microphone pocket holds 6 wireless microphones or 6 body packs in padded foam insert
Polyethylene reinforced interior frame & internal reinforced aluminum valance
600-Denier nylon exterior, lightweight yet rigid
Retractable, removable handle and wheels & interior mesh pocket for accessories

To order, please call 012-2976081. (Free delivery within KL & PJ )

GATOR Microphone Storage Solutions

2008-11-16T04:39:00.000-08:00

For those chaps who keep their microphones after every performance/service, the GATOR microphone storage bags are a must. These bags protect your microphones from shock and from scrathes. They also make it a breeze to carry from function to function. Storing the microphones after every service will eliminate it dropping during mid week when no one is around, or even worse, microphones misplaced! Sizes available for 4 or 12 microphones.

GATOR Wired Microphone Bags

GM-4

*Durable 600-Denier nylon construction

*Web handles & comfort shoulder strap

*4 Microphone drops

*Interior storage space Exterior storage pocket

GM-12B

*Durable 600-Denier nylon construction

*Designed to hold 12 microphones

*Exterior pocket for cables & accessories

*#10 Zippers Padded shoulder strap for easy transport

GX-33 Microphone Stand Bag with Mic Slots

*3 Separate compartments for microphone stands to prevent scratches & dings

*5 Form fitted microphone drops

*600-Denier nylon construction

*Webbed handles

*Carrying strap

*Zippered cable pocket

To order, please call 012-2976081. ( Free delivery within KL & PJ )

SE Level 1 September 2008

2008-09-24T02:51:00.000-07:00

Wow, time really flies. It has been almost 3 months now since then (5th July) when I attended this course and i still can't think of anything that I can't benefit from it. The best part is I can always refer to my notes, whenever I'm troubleshooting a P.A. system anywhere! (Saves me lots of time running through the manuals and figuring things out)

GSUS would like to congratulate 5 participants from all around Klang Valley for they have completed the 1st level of Sound Engineering. They consist of Samuel and Charine from Sg. Besi, Tambi Raj from Rawang, Jacob Lee and Charles Cheh from Subang Jaya. We hope and pray for the best of them to be blessings in the churches they serve and bear much fruit for the music and worship ministry.

Value System Blues by Bernard McDonagh

2008-09-23T00:18:00.000-07:00

Have you ever heard people talking about ‘the Blues’ and wondered what they were talking about? What exactly is this music called the Blues? Well, we can identify certain chords and scales, certain ways of phrasing, and a certain musical structure or ‘form’. These things give the Blues it’s unique sound and musical characteristics, but the Blues is much more than just the sum of these things. It’s a powerful vehicle for the expression of feelings and emotions. It is a unique musical dialect within the wider musical world which has permeated almost all contemporary music in some way. If modern music were likened to an exotic dish, then the Blues is an absolutely key ingredient; it’s not the dish itself, but is an essential part of it.

As well as being a true musical tradition in it’s own right, the Blues is important as a forerunner of other musical styles. Rock and Roll music is it’s direct offspring, and the basic language at the heart of Jazz is the soulfulness of the Blues. The simple 12-bar structure of most Blues music is evident in Rock and Roll, and Jazz has Blues structures as well. This structure, the note choices, and unique phrasing so characteristic in Blues have been imported into other styles of music too, so that the Blues now has an almost universal relevance to and influence on contemporary musicians everywhere.

In addition to the musical elements spoken of above, the soulfulness, emotion, and raw honesty found in the best Blues can also now be found in other forms of popular music too. It is in this respect that the Blues really has penetrated deep into the popular music forms and into the consciousness of musicians. (The ‘Confessions of a Music Fundamentalist’ article has more on this.)

ORIGINS

The Blues really began as the music of African Americans; in particular those in the rural ‘South’. Close to the heart of the Blues are the ‘spirituals’ of the slaves, both in terms of structure and emotional content. The connection between them is obvious, and very strong. Many spirituals spoke of the yearning for freedom and relief from all the troubles of life. Some described the hardships the slaves endured, even using the sufferings of the Israelites in Egypt as a type of their own. The spirituals also spoke about God, and expressed faith and hope in God. They sang as a means of encouragement, even though they were singing about their troubles. It has to be said there’s therapeutic value in letting your feelings out, and of course even more so if there’s faith and worship directed to God!

In a similar way, Blues music usually talks about the troubles someone is going through, though usually in a more secular vein. In many ways it‘s really a poor man’s music, and you don’t normally hear a rich man singing the Blues. So the Blues really comes directly from those spirituals, and initially it was indeed very spiritual music. It still can be spiritual, but this really depends on the individual artists; more on that later.

Blues developed many regional characteristics too. For example, there’s acoustic-guitar-based ‘Country Blues’, but music in the bigger cities was very electric-guitar-based. For example the Blues in a big city like Chicago has a very different sound to the Blues down in the rural south. In some places, Texas for example, there’s a mix of acoustic and electric Blues, all of which sounds different to the Blues of the Mississippi Delta region, or the Blues coming out of the Carolinas, etc., and even within these styles of Blues there are many subtle shades of variation.

Sometimes Blues performers didn’t even really travel beyond their own towns and rural settings. People could be well-known in their home-town for years before someone from another city would get to hear them perform. Their reputation as a musician would be years in the making. This was normal for the rural folks, and this was of course, long before television, or the internet. Even recordings were quite a new phenomenon. Some inspired people made the effort to record some of the early Blues performers, and we are indeed fortunate to have that music to listen to today.

A LITTLE LEAVEN IS TOO MUCH

Despite this history, I feel that much Blues music made today is unworthy of it’s origins; perhaps I’ll put it in 12-bar form!:

Heart is filled with sorrow

Righteous train done left the track

Said my heart is filled with sorrow

Righteous train done left the track

That music used to be so fine

Now that music got a monkey on it’s back

I may well be very biased toward the earlier Blues musicians and performers, but the later day Blues music just hasn’t got that spark for me. In my view it’s lost so much of it’s humanity and spirituality, and the originality and raw integrity that made it so appealing is kind of lost now. Like any music that becomes popular it has become commercialised; thanks to the inevitable involvement of the business people.

It would be fair to say though, that it is still less corrupted and trivialized by commercialism than many other forms of music. As commercialized as it is, there is still healthy grass-roots Blues music happening, and there are still many fine performers of real, honest-to-goodness Blues music.

BOOKS AND COVERS

Unfortunately, all expressions of our human hearts are tarnished as a result of our sinful nature. This includes everything we say and do, and yes, our music too — no matter which style it embraces. It would be unfair to single out music that we don’t like, and exclude it from the realms of ‘acceptability’ just because of it’s style. It must be the music’s quality, or lack of it, that we use as the measure of judgement.

This brings me irresistibly to the issue of non-Christian, or ‘secular’ music? Can it have a place in the lives of Christians? I’m of the opinion that not everything our fellow man does is intrinsically evil, or automatically worthless. Despite the fallen nature of man, we can see in his self-expressions, including music, that along with all the trash of sin, there’s still a heart in there. Man still bears the image of God. It is a false doctrine that says everything made by non-Christians has no value. Where then is the dignity in being a human being?

How do you feel about it? Because it really is a matter of personal conscience before God. Romans chapter 14 teaches us not to judge a brother who eats, or does not eat meat. Verse 17 says: “For the kingdom of God is not eating and drinking”. The logical extension of this, is that it’s not music either! If you wish to listen to any kind of music, you have the God-given right and the authority of scripture to do so. If you prefer to listen only to ‘Christian’ music, then you are also justified in choosing that option. The only thing forbidden is judging our brother or sister!

TRADING GEMS FOR SOME ‘CHRISTIAN’ STRAW

So, it’s not the style of the music, but the content that should be the issue. For example, in the case of the Blues, there is some I would listen to, and some I would choose not to listen to. Where is the logic in deciding that all Blues music is ungodly and has no value? Quite often Blasphemy can wear a nice suit and sing Classical music. Unfaithfulness often wears a Country hat. Ungodliness and lust can dwell in the most sentimental and ‘Middle-Of-the-Road’ music. Saddest of all, is that greed and idolatry sometimes dress up as ‘Contemporary Christian’ music.

So what can our standard for judgement be now? If we have chosen music simply because it has a Christian label, or is made by Christians, then we are missing the point. The true standard can only be what it should have been all along: integrity and humanity. Music is a wonderful gift from God to all men. It doesn’t need an excuse to exist, and it doesn’t need to be ‘Christianised’ to be made acceptable. That music must have an excuse of “serving the Lord”, or “evangelism”, or whatever, is I believe, a fundamental misunderstanding of God’s creation. “The heavens declare the glory of God”, the scripture says in Psalm 19v1. Do we not see that the “heavens declare the glory of God” without the assistance of a big Jesus-shaped cloud for further emphasis?!

At this point it’s needful to make some clarifications. It is right to worship the Lord with our music! We should share our testimonies and life-experiences in our songs too! It’s only natural, and we should want to! This is not what I am being critical of here. It is perpetuating an upside down value system that we must resist; values that allow us to accept trash because it is ‘Christian’ trash, and to reject something that has beauty and substance, because it is not made by Christians.

When the Reformation was taking place in Germany, Martin Luther didn’t throw away everything that had existed up to that point! He maintained the study of Latin, recommended the whole-hearted pursuit of knowledge, and was a champion for the arts. (He himself was a hymn writer.) We too must be selective and wise. Although he found much to ‘protest’ about with regard to crucial matters of doctrine, he had no problem whatsoever with music or the arts. In fact, it came to be that under this Lutheran tradition (which was then only beginning), Church music, and Western music – period, would rise to previously unseen glories.

So, should we listen to the Blues? As Christians with the God-given freedom of choice, we can happily conclude that the choice is ours, and we shouldn’t hesitate to embrace the freedom given us in Christ Jesus. Nor should we hesitate to make decisions for ourselves with that freedom. We can reject music that is sub-standard, or blasphemous, or simply not true to God’s design for human beings. We should learn to appreciate music and other creative works that have integrity – even when they come from outside the four walls of the church.

Never mind the Blues, how can awful music of any style serve to glorify God and uplift man? Yet we live with so much third rate music in the Church; we who have been so critical of all others! My brethren, these things ought not to be so!

I have no doubt touched upon things that are more complex, or sensitive, than this brief article can fully address. For example, some art may indeed have artistic integrity of the highest order, but may also suggest a belief which is false or a morally wrong suggestion; especially if the artist does not know Christ. Despite this, I think we need to look prayerfully again at our value systems. We may have inherited or adopted some ideas which sound very zealous for God, but which in fact may be rooted in legalism; and not in the true biblical freedoms our Lord Jesus Christ won for us all at great cost.

Remember too, that as the Jews fought the Apostle Paul fiercely in their defence of the Law and of Judaism, so too there will be those among us who will never accept the freedom Christ gives us. They will insist that you be just like them, even down to tastes in music.

© 2006, by Bernard McDonagh

O How the Mighty Have Fallen to..... dust?

2008-09-04T00:15:00.000-07:00

When I was a kid we were told not to scoff at weaker friends or animals. The reason was these "small frys" could one day save our necks! Remember the story of the mouse who saved the lion from the hunter's trap by biting the ropes? Or in chinese animal chess how a rat can hold off an elephant? Remember David and Goliath?

Ha! We take great pain to invest in equipment. But no matter how expensive or branded they are, these equipment are suspectible to dust. Well here's the irony - we can buy expensive equipment but find it difficult to spend for an appropriate water/dust proof cover!

What's the big deal about dust?

1. Higher operating temperature

Dusts clog air vents. They also settle on transistors and motherboards in equipment like a blanket on a cold night. High operating temperature cuts the lifespan of the components.

2. Restrict electrical conductivity

Equipment with intermittent sound, static, and noise could be a symptom of dust getting into the knobs or switches.

What can be done to prolong the life of these crucial equipment?

1. PVC covers - dust and water resistant, nice and sleek.

2. Equipment rack - not just keeping the dust away but keeping everything in place and organized.

3. General service of equipment - unlike vehicle maintenance which cost a few hundreds, equipment services won't even cause a tooth ache

Probably the best Mic under RM500

2008-08-25T19:35:00.000-07:00

Yep, that's what we think. A handheld condenser vocal microphone that's really hard to beat! But then again.... why take our word for it? Bring over your favourite microphone and we'll have a shootout! Let's do what audophiles would - an AB test! If you win, we'll throw in a cup of coffee besides the great fellowship and exchange of information. If we win, you still get the cup of coffee AND you'll get to take home this sleek sexy Audio Technica for under RM500 (list RM560). If you leave your branded microphone behind as a trade in, we'll give you another RM100 off. Now ain't that a win win situation? Call GSUS now at 03 - 4280 6081 or email us at sales@gsus.biz to get yourself an appointment and further details will be provided. Go ahead pick up the phone..... we DARE you!

We've also include 2 audio clips, 1 recording using a dynamic mic where as the other is Audio Technica's Condenser Mic. Take a listen to it and tell us what you think about the quality of the sounds.

Eliminating Hums from Laptop or PC's on Stage

2008-08-21T21:42:00.000-07:00

“Darren, I will be using my laptop for training this afternoon”, uttered Steve, the invited guest speaker flown speciallly from the States. As Darren hooks up the RCA connected to a 1/8” jack to the laptop's headphone output there was a humming sound. “I didn't expect that to come out from my presentation,” exclaimed Steve. “Well, that's the best i can do for you,” but at the back of Darren's head was 'if only there was a solution...'

This is a common scenario that PA system personnels face each time there's a need to connect the laptop for a presentation or a seminar. Budget for these meetings run into thousands if not ten of thousands. But it could all be ruined just because this gadget, the Laptop Interface, was not employed. Not only is it a nuisance but it could very likely put your organisation in bad light.

Laptop presentations are common nowadays not just in business premises or corporations but even churches as well. Sermon notes, seminars, workshops, worship meetings, and training programs are presented professionally on the slide through an overhead projector, making it easier and faster to organize and conduct any event.

Rapco International, the LTI 100 Laptop Interface is the answer to your laptop audio complications. One of the causes of hums is using unbalanced cabling. Unbalanced cabling is not for long runs from stage to mixer, usually in excess of 20 feet. For stages more than 20 to 300 feet away from the mixer you need balanced cabling. The Laptop Interface converts from un-balanced to balanced.

This gadget also comes with a built in 1/8" stereo connector that fits only a PC or Laptop. You will never lose this RARE connector! It does not require power input, just insert the 1/8” jack into your laptop headphone output, connect this hardware to the designated channel(s) on your mixer and take it for a test. You are sure to find satisfactory sound quality as you've heard while testing the presentation from your laptop. Having a stage away from the control room as far as 100 feet, all you need is to connect this palm sized hardware to the junction box on the stage with a microphone cable to the channel that is available and make sure the tech guys know about this so they can adjust the volume that you desire for maximum effect. Think of it as a D.I Box with built in 1/8" stereo connector. So what's the cost? The cost of 2 D.I boxes - RM600. Call GSUS at 03-4280 6081 or email us at sales@gsus.biz and fix an appointment anytime between 9:00am - 6:00pm.

Palmsize USB Audio Interface for PC/Laptop Recording

2008-08-19T21:46:00.000-07:00

Fancy recording a sermon to burn on CD for your members? Or sharing your weekly series with prayer partners by e-mail, on your blog or website? Or just keeping track of meetings organized neatly in your computer harddisk? Perhaps you have been recording sermons in your local church since ages ago, but have you ever got frustrated because you couldn't get the hiqh quality recording? Irritating hissing sounds, distortions, and unnecessary noises seems unavoidable and complaints keep coming back to you.

Voice and sound recordings are much simpler now, with Behringer's U-CONTROL UCA202 Audio Interface. Just connect this little labourer to your PC or laptop and to the mixer at your PA system and it's ready to work for you. Unlike the soundcard in your PC/Laptop that can only record and gives you almost acceptable recording quality, this device actually produces high quality recording clarity because it converts your audio signals into the digital realm and that is a huge difference. It can be yours at a very affordable price of RM250 (until 31st October 2008,RM300 from November onwards) and it comes with a FREE software that enables you to edit and convert to mp3 or Windows wav file. And if you want to listen to what you've recorded you can always playback as you can see it has output for this function. The software also allows you to transfer even old cassette tapes to CD, mp3, or other audio format so you can email it to your prayer partners, pastoral group members and also your friends all over the world....a very helpful tool indeed to spread the Gospel and for edifying one another.

Recording by Behringer's U-Control UCA202 Audio Interface

Recording by normal PC soundcard

This is how to connect and what is required:-

For further information and query please call Gsus at 03-4280 6081 anytime between 9:00am - 6:00pm. Thank you.

Re-harmonizing the oldie "He is Lord"

2008-07-16T04:15:00.000-07:00

This is a simple re-harmonization exercise done in one of our Jazz Harmony classes. Can anyone explain why E MI7 is used as the first chord when the key is F major? Re-harmonization like these are taught in GSUS Jazz Harmony Level 2.

Please post your comments and we'll use that thread for discussion

You may also join our group at Facebook http://www.new.facebook.com/group.php?gid=60723220715 In order to have full acces you may have to sign up....but it's free and it's a great utility to keep in touch with friends and networks.

Participants Comments on Sound Engineering Level 1 July 2008

2008-07-13T05:35:00.001-07:00

3 Students have successfully completed GSUS Sound Engineering Level1 July 2008. They are Barry Lee (KL), Chong Chee Kim (Malacca) and Peter Looi (Senai). GSUS wishes them blessings as they bring the knowledge back to their home churches to improve the worship ministry.

" The level 1 SE course has many advantages. Fundamentals were covered, from theory to hands on practical. Assembling the sound system according to signal flow chart helped me a lot. Every major part of the sound system was covered in an easy to understand lecture. Sound is not just a screwdriver ministry but it demands sacrifice. A value for money course."

Peter Looi
Calvary Charismatic Centre, Senai

"I've learned much from this course. It gives me the confidence to troubleshoot the problems we have with our church system. Thanks to Timothy and I'm looking forward to the next course!"

Chong Chee Kim, Malacca

Tim.L Interview On Star

2008-07-12T17:32:00.000-07:00

NOTE: If the video is jerky, wait until it is fully downloaded, rewind to the beginning and play again

Many know GSUS as a sound system consulting and supply company. To others we sell music instrument. While both statements are true, we also have an active division conducting music training. Among our popular courses are:

*Jazz Harmony http://www.gsus.biz/courses2.php#harmony and using jazz techniques in worship

*Sound Engineering http://www.gsus.biz/courses.php#sound

*Band/Ensemble http://www.gsus.biz/courses.php#ensemble

For our list of other music courses click here http://www.gsus.biz/musictraining.php

For the full video http://thestaronline.tv/default.aspx?vid=1565